Though Radom is rather more industrial than a natural tourist destination, it is still worth visiting because of its historical buildings and local traditions that reflect the city's long history. Radom saw many historical and political changes, including the strikes in 1976 that led to establishing KOR (the most important opposition group of Polish workers).
History of Radom
Radom appears in history for the first time in the early Middle Ages. But the first note on Radom comes from an edict of Pope Hadrian IV from the 12th century. It's generally assumed that the city took its name from Radomir, or the tribe of Radomirans. Here, in the valley of the Mleczna River, a castle surrounded by a double rampart and a moat emerged in the 2nd half of the 10th century.
New Radom emerged in the 14th century when King Casimir the Great decided to strengthen the role of towns of Poland. The town received its civic rights in 1364, based on the of Magdeburg law. The city flourished during the reign of the Jagiellonian dynasty. Its location at the crossroads of important routes enabled Radom to develop trade and services.
Kings often visited the city, and it served as the location for sessions of the Sejm and other state events. During the Swedish Deluge in 17th century the city and the castle were burned down. Only 37 houses and 375 inhabitants survived. During the time of the partitions in the 19th century, Austria and Russia successively held Radom. As an important administrative center the town gradually developed its industries of leather, metallurgy and food. A direct road to Warsaw appeared as well as railroad lines to Deblin and Dabrowa Gornicza.
Radom returns to Poland
When Poland regained independence in 1918, following World War I, the city returned to Poland and the town's development accelerated. The city became part of the Central Industrial District, the most modern in Poland, with the building of the State Arms Factory as well as other important investments. During World War II, Radom fell into German hands. These years of war were the worst time for the region – with the extermination of Polish and Jewish inhabitants, deportations to concentration camps, and inhuman cruelty becoming an everyday reality.
The city' liberation came in 1945, after which it started growing rapidly. The former suburbs urbanized thanks to new housing developments, and the number of residents grew. Cultural life in Radom also flourished, especially the theater, museums, and local libraries. In the years 1975-1998, Radom was the capital of the voivodship but in 1999 it became part of the Masovian Voivodship.
What to see in Radom
After the difficult times of transformation, Radom is today a place where history meets modernity. Historical tenement houses, churches, and other old buildings sit comfortably among newly built business and shopping centers. Together they create an unusual climate for a city. The city has various leisure and sports events, with the modernized sports hall also hosting many feasting and dancing events.
Radom is a local cultural center, boasting one of the most impressive collections of the works of Jacek Malczewski. He was a famous Polish painter and best remembered citizen. One should not miss the opportunity to visit the open-air Village Museum (skansen), set in a scenic location on the southwestern edge of the city, and which has precious examples of folk architecture and artifacts from the 18th and 19th centuries.
Radom Old Twon Hall
In Radom’s Old Town you can find many reminders of the rich city's history. Among the most interesting are the church of St. John the Baptist, founded by King Casimir the Great, and the Town Hall and the former burgher’s houses in the market square dating from the 16th and 17th centuries.
The very beautiful Gosling House and Esther`s House, now housing a museum of contemporary art, are worth at least a little of anyone’s time. One of the most precious historical sites of Radom is the Monastery of the Bernardines. Some of the buildings in the city are by a design of famous architects, including Enrico Marconi, Antonio Corazzi and Stefan Szyller.